THE TEAM

Andrea has been project managing experimental and site-specific performances in London since 2005. She is passionate about high-quality projects that activate unusual locations; where the audience discover the venue, immerse themselves in the event and return to the real world changed. Andrea worked on various Shunt productions, including project-managing The Shunt Lounge. She was production manager on Punchdrunk's The Drowned Man: A Hollywood Fable; Against Captain's Orders; The Village; various R&D projects and is currently their Head of Production. In 2016 Andrea co-founded Darkfield with David Rosenberg and Glen Neath to create shows in completely dark shipping containers. She loves the opportunities new technology can offer to performance, live events and storytelling. She is a team maker and a team player, with a passion for spreadsheets, tools and wires. She just loves making things happen.

Corey is a seasoned Production Manager with a decade of industry expertise covering international touring, west-end and immersive projects. Having contributed to companies like Punchdrunk, Backyard Cinema, Immersive Everywhere, Humbug, and Layered Reality, Corey brings a wealth of experience to the table. Throughout a successful career, Corey has overseen large-scale site builds, created bespoke show control solutions, and developed a keen interest in integrating technology into immersive theatre settings.

David co-founded Shunt to pursue an interest in the role of an audience in theatrical productions and directed all their shows: The Ballad of Bobby Francois, Tennis Show, Dance Bear Dance, Tropicana, Amato Saltone, Money, The Architects and The Boy Who Climbed Out Of His Face. Working with Frauke Requardt he conceived and co-directed The Roof, Electric Hotel and Motor Show, for which he used binaural sound recordings to allow the audience intimate access to distant spaces. David co-directed DeadClub - presented at The Place, and he is one of the team behind Wiretapper - an audio project hiding performance in public spaces.

glenneath.co.uk / @GlenNeath

Glen has written novels, plays for radio, for the stage and non-theatre locations, performed by rehearsed and unrehearsed actors and by members of the public who are also the audience. Projects include Wedding, Free Show (bring money) and Die or Run with Hannah Ringham, Hide with Lizzie Clachan, Unpack with Neil Bennun and Hello for Dummies and Romcom with Ant Hampton. His radio plays for BBC Radio 4 include Listen Up, Six Impossible Things, Occupied, The Long Count and a two-part adaptation of The Arabian Nights. His debut novel, The Outgoing Man, launched Portobello Books in 2005 and was shortlisted for the Authors' Club Best First Novel Award.

Glen Neath and David Rosenberg have been collaborating since 2012. Previous shows [Ring (2013)][3] and [Fiction (2015)][4], both produced by Fuel, toured extensively and had several sell-out runs in London.

Ines joined Darkfield as Fundraising Manager in 2024. She is an arts professional with extensive experience in leadership roles in the performance and participatory sectors. She was Executive Director at Fuel between 2018-2023, where she led the Fundraising capacity of the organisation and raised funds from statutory, corporate, individual and private sources in excess of £3.5m. Prior, she worked as Executive Director at Phakama and Tramshed (formerly Greenwich and Lewisham Young People's Theatre). Ines produced Nour Festival's learning programme between 2015 - 2017 and also works as an arts consultant and fundraiser with companies such as In Place of War, Clayground Collective and Freddie Opoku-Addaie. Ines currently sits on the board of the Independent Theatre Council (ITC) and has run courses on successful bid writing for ITC members over the last three years.

Linseigh is a writer, audio artist, actor, patient advocate, and singer for New York’s oldest tree lighting ceremony. Designing a BA in Social Impact Storytelling at NYU's Gallatin School of Individualized Study has led to a lasting love of underrepresented narratives and interdisciplinary approaches. Linseigh taught herself how to work with audio by producing Edible Archives, a food history FM radio program. Favorite projects include StoryTrails by StoryFutures and The Faust Shop, a collaborative augmented theatrical installation with Cambridge Digital Humanities, Sook Space, Space Popular, and Anglia Ruskin’s School of Creative Industries. Linseigh is currently adapting Plantation Vacations (an oral history/personal narrative piece that’s followed her from NYU to Cambridge to Royal Holloway) as a binaural audio journey through unsettling plantation resorts and weddings. A survivor of necrotizing enterocolitis, Linseigh speaks globally at rare disease conferences and serves her community through writing, outreach, and research.

Sara has worked in theatre for over 10 years, beginning with an internship at the Arcola Theatre. She then began predominantly working in immersive theatre, starting at Shunt as FOH manager for Money, The Architects and The Boy Who Climbed Out of His Face. In 2011 Sara started work as a stage manager at Punchdrunk on a variety of projects including ...and Darkness descended, Absolut Silverpoint and Fallow Cross. She was Production Co-Ordinator for The Drowned Man: A Hollywood Fable. Sara has also stage managed for Lemonade and Laughing Gas and was Company Manager for Lapland UK and Remote London. Sara has worked with Darkfield from the beginning in production and operations.

Valeria joined Darkfield as Assistant producer in 2024. She has been working in the arts in Peru and the UK since 2006. As a performance maker she devises her own work and has worked collaboratively mostly with Yuyachkani, The People Pile , BitterSuite and Carolina Rieckhof. Since moving to the UK she started working in theatre & performance production with companies including Shunt, LIFT, Living Structures, Requardt&Rosenberg, Punchdrunk, Circa and others. Valeria can also be found DJing under Mamá Calor and performing with Champagne Dub.

@victoriaeyton / @victoriaeyton

Victoria Eyton has worked with DARKFIELD since 2016 across all projects, and has extensive experience working within immersive theatre performance. Her portfolio includes Brave New World for NBC Universal and ABBA’s new sell-out show The Voyage. Victoria has also worked for Punchdrunk since 2013 on projects including Sleep No More Shanghai, The Lost Lending Library, The Oracles, Absolut Silverpoint, The Drowned Man: A Hollywood Fable and various R&D projects. In 2022, Victoria co-founded the Ida XR Studio and Network to support women, trans and non-binary people working in XR.